- #Ableton live packs on separate drive how to
- #Ableton live packs on separate drive pro
- #Ableton live packs on separate drive software
#Ableton live packs on separate drive software
In Monolake (which signed to a German independent record label but never found a mass audience), they first used a music-focused programming language called Max, then began to write the software that became Ableton Live. Behles and Henke wanted to write music in real time on laptops as they grew more portable.
#Ableton live packs on separate drive pro
They did it to solve a musician’s problem: Existing production programs like Pro Tools and Logic were designed to record and edit sounds after musicians had already played them. Photographed by Urban Zintelīehles created Ableton Live with Robert Henke, his partner since the 1990s in the ambient duo Monolake, whose music - then and now - sounds like keyboard players tinkering with didgeridoos in the jungle.
“You could do a lot of positive work without putting things in the world - without worrying about the environmental impact.” His 11-year-old son? “Drummer,” he says. Ableton’s future? “We have this oath that we will never talk about what we will do next.” Software? “Beautiful properties. Yet even when discussing something he feels passionately about, Behles barely raises his voice above a cordial German monotone. They want to give away Ableton Live to schools so students can learn to make music. Behles is an electronic musician - he still uses their company’s marquee product, Ableton Live - and his co-founder Bernd Roggendorf left the executive team years ago to “devote his whole life to altruism,” according to Behles.
Investors see possible synergies, but Ableton’s founders are happy where they are. The company certainly has financial potential: “If Ableton was to put itself into the market, there would be a feeding frenzy,” says music industry analyst Mark Mulligan of MIDiA Research. We get a lot of inquiries, and we turn them all down.”
“It has popped up on the radar of Wall Street - huge valuations tossed around.
#Ableton live packs on separate drive how to
His straight hair is perfectly combed into a new wave curl, he’s wearing a suit - which he does every day to avoid thinking about how to dress - and he says his life is “probably very boring.” But he is the driving force behind Ableton’s refusal to sell at a time when the growth of the digital music business would make it a tempting, and very valuable, acquisition. “Everybody was like, ‘What?’ It was very anarchic and punk.”Ībleton’s Berlin headquarters is in Prenzlauer Berg, a gentrified neighborhood in what was once East Berlin, and sitting in a ground-floor conference room today - across an outdoor courtyard from an entry area and a coffee bar - Behles, 52, looks anything but anarchic and punk. “These tech investors never heard anything like that,” Diplo remembers. “We don’t have any investments in our company,” he replied. Pussy Riot's Nadezhda Tolokonnikova Labeled as 'Foreign Agent' by Russian Authoritiesīehles didn’t budge.
0 kommentar(er)
